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William Blake A William Blake reproduction, photographed in our studio
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William Blake The Marriage of Heaven and Hell 1790-93
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William Blake The Body of Abel Found by Adam and Eve 1825
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William Blake Glad Day
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William Blake The Great Red Dragon and the Woman Clothed with the Sun 1805-1810
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William Blake God as an Architect 1794
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William Blake Job and his Daughters 1799-1800
National Gallery of Art, Washington DC
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William Blake THe Great Red Dragon and the Woman Clothed in Sun (mk19) c 1806-1809
Water-colour,34.3 x 42 cm
Brooklyn Museum,Brooklyn(NY)
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William Blake The Ancient of Days,frontispiece for Europe,a Prophecy (mk19) 1794
Colour engraving,pen,water-colour
30.4 x 23.6 cm
Fitzwilliam Museum,Cambridge
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William Blake Happy Day-The Dance of Albion (mk19) 1794-1796
Colour engraving,pen and water-colours for Europe,a Prophecy,30.4 x 23.6 cm
Fitzwilliam Museum,Cambridge
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William Blake Hecate (mk22) 1795
Color monorype,43 x 57 cm
London,Tate Gallery
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William Blake The Fall of Man (mk22) 1807
Watercolor 49.6 x 39.3 cm
London,Victoria and Albert Museum
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William Blake Pity (nn03) c 1795 Watercolour heightened with ink on paperh42 xw54 cm h16 3/4 x w21 1/4 in Tate Gallery London
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William Blake The Spiritual Form of Nelson guiding Leviathan (mk47) AA 1812
Tempera on canvas
762x625mm
Tate,London
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William Blake Jerusalem Plate 51(mk47) AA 1812
Relief etching,hand coloured
159x219mm
Lent by the Syndics of the Fitzwilliam Museum Cambridge
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William Blake Beatrice addressing Dante from her Wagon mk86
c.1824-1826
Aquarell
36.5x52cm
London,Tate Gallery
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William Blake Joseflasst Simeon tie up mk148
around 1785, sound the testaments of the twelve patriarchs Simeon was held because he had tried to kill Josef
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William Blake The Ancient of Days mk156
1794
Etching in relief with watercolour
23.3x16.8cm
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William Blake Pity mk156
Watercolour heightened with ink on paper
42x54cm
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William Blake The Ancient of Days mk156
1794
Etching in relief with watercolour
23.3x16.8cm
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William Blake
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1757-1827
British
William Blake Galleries
William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public (he was called a lunatic for his imaginative work), but he had a profound influence on Romanticism as a literary movement.
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